Tag Archives: San Diego Padres

I used to shoot Sports…..

 

Portrait of Ken Caminiti. Concept was to show his toughness and grit.
Portrait of Ken Caminiti. Concept was to show his toughness and grit.

  I used to be a sports photographer.  Then reality set in….. But I’m getting ahead of myself.

  I grew up in a small Kansas farm town, Macksville, and I loved sports.  I don’t ever remember sports not being a part of my life.  My two oldest brothers excelled in whatever they did.  My next oldest brother Mark was a pretty good pitcher, my sister, Debbie, was just as talented as my older siblings and my youngest brother was probably the best of us all.  The only problem was he was ten years younger than me.  I only learned his exploits from Mark’s writings in the local newspaper.  But what about me?  I was short changed in the talent department.  As hard as I worked and studied sports, the reality was I didn’t “have” it.  But boy it sure took me a long time to accept it.

  I played on the high school team and then was the backup place kicker on the Mesa College football team.  Looking back I think it was only because Coach Smorin didn’t cut those that wanted to be there.  I wanted it bad.  So I stayed.  During the offseason I was in the first car accident of my life and as a result had to quit playing.  That was one of the best events that ever  happened.

  During the offseason I had gotten married and my sister-in-law, Carole had loaned me her 35mm Yashica to play with.  I was quickly hooked and soon photographing sports for the school paper at Mesa College which allow me to stay in touch with my team mates.  An obsession to learn followed and within four years I was working in the newspaper realm, covering news and the sports I loved.

  After eight years as a staff photographer at the San Diego Union Tribune I started my own business and became immersed in the sports photography profession.  I worked for the wire services, trading card companies, San Diego State University and then got my dream job.  Along with a former Sports Illustrated photographer we started an in-house full service photography department for the owner of the San Diego Padres.  It was a sports photographer’s ideal job.  We were on the inside documenting the team and the franchise, the players and the owners.  We were given access that few photographer ever are given.

  During the six year stint we lived a great life.  I photographed hundreds of games and saw a rare insight into what some people call the Greatest Game.  The Padres had a good team and even better marketing.  Their quest to expand their brand took us to Mexico several times, once to play the Mets, to Hawaii to play the St. Louis Cardinals and then the winning began.  We went to the playoff and then the World Series.  I saw Tony Gwynn at his prime, I saw him injured and I saw him retire.  On his final game he personally gave me an autographed bat which I have to this day.

  But times change.  Due to internal politics I was not renewed.  And to add insult to injury I was replaced by the mailroom clerk….  the timing was terrible.  They waited until ten days prior to spring training which precluded me from working with another company.

  Losing that contract was the best event that happened.  I’m now an architectural photographer.  I miss sports but I love my new challenge.  But that’s another story.  Check out my website, www.zwink.com 

About the photo:  This was a portrait of Ken Caminiti done for the Padres Magazine.  Camy was one of the most intense, dedicated hard working people I ever met.  He loved baseball.  Padre fans loved him.

Old Memories

Atlanta 98 celebration

San Diego Padres celebrating their 1998 NLCS title against the Atlanta Braves.

  1,564 people liked this photo on Facebook……..

  How many know who shot the photo…….

  Isn’t the creator of a photo sometimes as important to know as the image, especially if it has historical significance?

  Good photos are made, not just taken…..

  DON’T FORGET THE PHOTOGRAPHERS……..credit them please

  Photo by:  Joel Zwink/San Diego Padres circa 1998

The Double Bird

When do you take or not take the photo?  Whether or not you are a professional at times this can be a dilemma and potentially create problems for you.  Hopefully if you’ve pondered this question ahead of time you won’t freeze when it’s your time to capture that once in a lifetime photo.  As my mentors often told me, it’s easier to delete or throw away a photo than it is to not have one to start with.

I previously worked for the San Diego Padres as one of two contract team photographers.  My assignment was to cover a fundraiser for the Hall of Champions featuring two of the best hitters ever in baseball, Ted Williams (right) and Tony Gwynn.  Going into the event the premise was simple.  The patrons for the evening would be able to have their photo taken with Mr. Williams and Mr. Gwynn and then later enjoy a discussion on the art of hitting.  Simple concept?  No……

Hall of Famer, Ted Williams was passionate about hitting.  He had a profound respect and enjoyed talking about the art with Tony Gwynn.  Apparently either he wasn’t told about the photo shoot, or he didn’t care.  All he was interested in was talking hitting with Gwynn.  Each time someone one came up behind them for a photo I would have to say something like, ” look here sir, look here Ted, look here Captain” to get his attention.  Finally “The Splendid Splinter” got fed up.  Without any hint he went ballistic and angrily blurted out “I show you something to look at…..” and proceeded to award me the double bird.  I shot the photo without hesitation.  Needless to say William’s handlers rushed in to stop him and calm him down.  Gwynn and John Moore’s nephew (the boy behind them) were shocked and later Gwynn would laugh and joke about it.  After a few minutes we continued shooting the last few guests and moved on to the rest of the evening’s schedule.

After the film was processed and printed the image was circulated to the ownership of the Padres.  It was decided that even though it was a great photo that it would not be released or published until after the death of Mr. Williams.  However, several prints were made and given to a select few.

I have great respect for the subjects in my photo.  However, I am first and foremost a photojournalist.  Without the photo, often times there is no story.

Technical notes:  Shot with a Hasseblad ELM and a 50mm lens on neg film using Dynalites.  The image above was scanned and color corrected in Photoshop from an 8×10 print.

My other work can be viewed at: www.zwink.com

Old archives and sports images are on: www.bigstudioz.com